Tuesday, June 30, 2009

New Deep Purple DVD Digs Deep and Finds a Colorful History


Deep Purple has had a colorful and conflict filled career but they have a lasting legacy as one of hard rock's most influential bands. Deep Purple runs the gamut from classical, blues, pop, progressive and rock.


Deep Purple enjoyed early recognition in 1968 with their now historical cover of Joe South's "Hush". 1968-1976 are considered to be the epic eras of Deep Purple who still tours today. The various line-up from that period are often labeled Mark I, II, III and IV. The second featuring Ian Gillan (vocals), Ritchie Blackmore (guitar), Jon Lord (keyboards), Roger Glover (bass guitar) and Ian Paice (drums) was the most commercially successful.


Deep Purple History, Hits & Highlights 68-76 (Eagle Rock Entertainment) is a 2 DVD set with live performances, rare releases, interviews and studio/television footage. The DVD spans the four pivotal periods with extra emphasis on Mark II.


The first disk opens with clips of concerts and commentary and than full videos of live performances with lengthy solos and spirited showmanship. "Mandrake Root" was manic and menacing with its mood swings. "Child In Time" was tentative yet tense with innovative instrumentation and tempo changes.


In contrast was the black and white footage filmed at a castle for "Strange Kind of Woman". The "Highway Star" video is a bit dated with its graphics but the tune is timeless and Blackmore's axe antics are amusing.


Disk 2 starts with the band performing on Playboy TV followed by a black and white clip that appeared on German TV featuring extensive jamming and Ritchie drawing dark, diverse sounds from the strings of his guitar. The disks progresses through concerts, rehearsal sessions, interviews and a New Zealand TV documentary.


The title of the DVD Deep Purple History, Hits & Highlights 68-76 says it all and the 2 disk set will give fans a greater appreciation for Deep Purples' depth, drama and their impact and influence on rock music.


(Review by Laura Turner Lynch for www.Kweevak.com)

Friday, June 26, 2009

YES THEY CAN! LEGENDARY BAND BEGINS 24-DATE U.S. TOUR JUNE 26 IN INDIO, THROUGH AUGUST 2 IN BETHLEHEM, PA, WITH SPECIAL GUEST ASIA


North American Tour Will See YES' Steve Howe, Chris Squire, Alan White joined by singer Benoit David and keyboardist Oliver Wakeman, with Howe doing double duty in both bands

LOS ANGELES - It's a prog-rock fan's dream come true, with two of the legendary British bands of all time on the same stage, playing hits like "I've Seen All Good People," "Roundabout" and "Heat of the Moment." (Recent concert reviews here - YES 2008, ASIA 2008, ASIA 2006)

Acclaimed British band YES launch their 24-city U.S. tour on June 26 at the Fantasy Springs Casino in Indio, CA, featuring the classic line-up of guitarist Steve Howe, bassist Chris Squire and drummer Alan White with new vocalist Benoit David and keyboardist Oliver Wakeman, son of the group's Rick Wakeman. The tour runs through August 2 at Bethlehem, PA and includes stops at San Francisco's Warfield Theatre (July 2), L.A.'s Gibson Amphitheatre at City Walk (July 7) and Philadelphia's Tower Theater (July 28). The new dates come after this year's West Coast tour was postponed when Chris Squire was hospitalized for leg surgery.

For this tour, YES will be joined by Special Guest Asia, with Howe, a cornerstone member of both groups, performing as part of each band's set, alongside original Asia members, including ex-YES and Buggles keyboardist Geoff Downes, ELP's Carl Palmer on drums and former King Crimson and UK bassist/guitarist/vocalist John Wetton.
Said Howe: "This is a monumental event and even though it will be a challenge, I am up for it." Rolling Stone raved that YES' performance at New York City's Hammersmith Ballroom last year "sounded as majestic as ever," adding that the band's stand-in vocalist Benoit David was able to "expertly mimic the impossibly high-pitched vocals of original singer Jon Anderson." This may not be exactly the traditional YES line-up... "But it's close enough," the magazine declared.

YES concerts have always been very special events, and this spring's U.S. jaunt will be no different. The group will perform selections from hit albums like Fragile, Close to the Edge, Tales from Topographic Oceans and 90125 along with audience favorites like "Roundabout," "Owner of a Lonely Heart," "I've Seen All Good People" and "Yours Is No Disgrace," just some of the enduring classics that have made YES one of the most influential and groundbreaking groups in rock & roll.
This time around, Howe, Squire and White are also pulling out some rarely performed chestnuts, like 1980's "Machine Messiah" and "Siberian Khatru," expertly sung by David, a Montreal, Quebec, native and vocalist in several YES tribute groups, discovered by the band on the Internet. His ability to channel Anderson's distinctive singing voice has added an extra treat for true fans.
Asia's performance will feature many songs from their historic first album, the world's best-selling release of 1982. The supergroup's debut effort was #1 at Billboard for nine weeks and included such smashes as "Heat of the Moment," "Only Time Will Tell" and "Sole Survivor." The original line-up of ASIA reformed after 23 years apart in 2006, and has since conducted four successful world tours. In addition, the band released the critically acclaimed Phoenix album on EMI Records. Collectively and individually, the four original members of ASIA have sold over 120 million records.
"People have been waiting for this for decades," adds Asia's John Wetton. "Since America was so important to the success of both bands, we feel it was the right time and place to launch it."
Over the course of a remarkable 40-year career that has continually redefined the boundaries of rock, YES has become renowned for their live performances since being formed in 1968 by Chris Squire and Jon Anderson. With drummer Bill Bruford, guitarist Peter Banks and keyboardist Tony Kaye, they metamorphosed into YES, earning a residency at the famed London venue The Marquee Club, where they played with Jimi Hendrix and Pink Floyd, releasing their self-titled debut album in July 1969.
Guitarist Steve Howe, who continues to release acclaimed solo albums and tour, brought an experimental cutting edge to YES for 1970's The Yes Album, their first to top the UK charts. Drummer Alan White, who had been hand-picked to play on John Lennon's Imagine and George Harrison's All Things Must Pass, came aboard in 1972. YES then went on to conquer America and played at some of the largest paid attendance concerts of all time, including JFK Stadium in Philadelphia in 1976 to a crowd of over 130,000 people.
As a dominant force for more than four decades, YES has sold more than 30 million albums worldwide, stretching the boundaries of progressive art-rock with their dynamic instrumental contrasts and abstract lyrics. Their symphonic use of sound and innovative musical styles continues to make them one of the most successful and long-standing groups in rock history as they continue to add new, young fans to their following.
Added Squire: "This has turned out to be one of the best performing line-ups in YES' storied history. It feels like we're rediscovering these songs all over again."
Confirmed Dates:
June 26: Indio, CA (Fantasy Springs Casino)
June 27: Las Vegas, NV (Thomas & Mack Center)
June 30: Snoqualmie, WA (Snoqualmie Casino)
July 2: San Francisco, CA (Warfield)
July 3: Saratoga, CA (The Mountain Winery)
July 7: Los Angeles (Gibson Amphitheatre at City Walk)
July 8: San Diego (Humphrey's)
July 9: Phoenix (Dodge)
July 12: Denver (Paramount Theatre)
July 14: Kansas City, MO (Uptown Theater)
July 15: Ft. Worth, TX (Bass Music Center)
July 16: Muskegee, OK (Civic Center)
July 18: Walker, MN (Moondance Jam)
July 20: Detroit (DTE Energy Music Theatre)
July 21: Pittsburgh (Chevrolet Amphitheatre)
July 22: Glen Allen, VA (Insbrook Pavilion)
July 23: National Harbour, MD (Sunset Concerts)
July 25: Cohassett, MA (South Shore Music Circus)
July 26: Jackson, NJ (Great Adventure Amphitheatre)
July 28: Philadelphia (Tower Theatre)
July 29: Montclair, NJ (Wellmont Theatre)
July 31: Westbury, NY (Theatre at Westbury)
Aug. 1: Jamestown, NY (Savings Bank Arena)
Aug. 2: Bethlehem, PA (Muskfest)

Saturday, June 20, 2009

IT'S THE BEGINNING OF THE END


"Plastic, wood and canvas become sculptural objects. Discs and media dissolve into shape, color and surface. Stone meets circuit. Glass displays the world's beauty".

Pat Carullo's own words best describes his "Terminal Art" a conceptual commentary of changes in media. The running theme of his exhibit at the ARTery in Milford, Pennsylvania (June 11-July 6, 2009) is technical transformations from one form to another - i.e. LPs to Ipods - that become almost obsolete upon release.

Carullo melds a multiple of media, documenting transition from one model of technology to another. Pat uses old computers and monitors as baselines, blending the not so distant past with the present. His nine singular art pieces presented in convergent forms are engaging with colorful, changing imagery and pointed commentary.

On a chance encounter, we had the pleasure of meeting Mr. Carullo on the opening day of THE END - a unique critique on "Terminal Art" and the fleeting nature of media’s mediums in the modern age. Pat was friendly and spoke enthusiastically about the ideas behind his pieces and intelligently on current issues. His work reveals that just as music has moved from analog to digital to ethereal, so has the world of art.

Carullo's shows that the end of one form is the beginning of another, not just in technology but also in life. Pat's pieces are bold, brilliant and green with its reuse of old media and substantially insightful and innovative. In addition to the ARTery exhibit Pat's work can be viewed at www.youtube.com/GardenArtist

Friday, June 19, 2009

Procol Harum Make Their Mark in Denmark on CD & DVD


(Review by Laura Turner Lynch for Kweevak.com)
Procol Harum are considered by many to be one of the forefathers of symphonic rock. Their music is a fusion of blues, classical, pop and rock. Founded by Gary Brooker in the 1960’s, the band has been through many line up changes but has stood the test of time thanks to creative compositions and the classic "Whiter Shade of Pale".

In the summer of 2006, Procol Harum played a two-night engagement on the luxuriant grounds of Denmark’s Ledreborg Castle. The band performed career spanning sets enhanced and expanded upon by the Danish National Concert Orchestra and Choir. Procol Harum’s music was aptly suited for full orchestration and the addition of many instruments and voices added to the complexity and color of their catalogue.

In May of 2009, Eagle Rock Entertainment released CD and DVD versions of the concerts entitled Procol Harum In Concert With The Danish National Concert Orchestra & Choir. The CD includes many of Procol Harum’s better known songs and two never before released tunes ("Into The Flood" and "Sympathy For The Hard of Hearing").

The DVD features many of the songs from the CD with the added visual elements of the concert. The DVD has 15 tracks from the Ledreborg shows and 6 songs that appeared on Danish TV in 1974. The contrast of the times demonstrates that the band in one of its early rock incarnations was insightful. Yet, years later Procol Harum still brings intensity and intrigue to their music.

The DVD opens with an expansive and extravagant interpretation of "Grand Hotel" blending soaring guitar solos with brilliant, bold orchestration. The Castle concerts mix ballads, blues and rock interspersed with a few comments from Gary. "Into The Flood" was a rousing rocker enhanced by robust work from the choir and orchestra. "A Whiter Shade of Pale" and "Conquistador" were strongly seasoned.

The DVD is well filmed with varied shots of Brooker, the band, the crowd and the Danish National Concert Orchestra and Choir. The sound is clean and concise adding to the lavish, lush lyrical versions of Procol Harum’s catalogue that still compels fans four decades later.
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* From the www.Kweevak.com
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Saturday, June 6, 2009

DVD REVIEW: The Moody Blues: Live at the Isle of Wight Festival


The Moody Blues formed in 1964, originally as a blues band but along with the times evolved into a psychedelic rock band with the added edge of orchestration. The Isle of Wight Festivals became the lure of legends and the line-up in 1970 -- which included The Moody Blues -- was of that caliber.

The Moody Blues: Live at the Isle of Wight Festival released in May of 2009 from Eagle Vision documents the band's historical set at the height of their creativety.


"At that time music was all we had to do, we were very serious .. it was in our hearts and souls," recalls The Moody Blues reflecting on the event and the late 60's.


The DVD opens with the sound of keyboards, poetry and a quick look at some of the group's creative album covers from that period. The first part blends concert clips with the special features that includes interviews and commentary about the concert. The Moody Blues discussed how they were influenced by American music especially the blues but they could not really relate to picking cotton. In time, they penned songs from their own perspective and the discovery of the mellotron shaped what became their signature sound.


More than half of the DVD are songs in their entirety with shots of the massive crowd and the band. Over all the sound is good and the DVD captures the energy and experimentation of the music. The Moody Blues played many of their most popular songs such as "Tuesday Afternoon", "Questions", "Nights In White Satin", "Legend Of A Mind" and perfectly timed was "Sunset" performed as the sun was descending for the day.


The Moody Blues: Live at the Isle of Wight Festival captures a magical moment in music history. The special features are interesting and insightful and it great to see the band still together touring and fondly looking back at the concert.
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* From the www.Kweevak.com
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Thursday, June 4, 2009

VIRTUAL BEATLEMANIA ON ROCK BAND


John, Paul, George, Ringo and you, yes, you! The most amazing version of the interactive and musically immersive Rock Band series has just been revealed and it might create a whole new wave of gaming mania - it's already made quite a splash. On June 1, 2009 original band members Sir Paul McCartney and Ringo Starr, along with Yoko Ono Lennon and Olivia Harrison, came together to kick off the 2009 E3 Media & Business Summit with the world premiere of The Beatles: Rock Band. The first-of-its-kind music-based video game offers a revolutionary tour of The Beatles' music, career, and legacy. Presented by Apple Corps, Ltd., and MTV Games' Harmonix Music Systems, a part of Viacom's MTV Networks (NYSE: VIA, VIA.B), The Beatles: Rock Band will be released worldwide on 9/9/09, as will the release of the entire, original, digitally re-mastered Beatles CD catalogue. See the full story now at http://www.kweevak.com/files-articles/rd_art_2009_06_01_beatles.php

Monday, May 25, 2009

CD Review: New Riders Of The Purple Sage - Where I Come From


CD Review: New Riders Of The Purple Sage - Where I Come From: At it's inception in the 1970's New Riders of the Purple Sage was an outlet for Jerry Garcia to play pedal steel. The band in various lineups released 12 albums over an eleven year period before drifting apart. In 2005, David Nelson (guitars/vocals) and Buddy Cage(pedal steel) recruited Hot Tuna guitarist Michael Falzarano (guitars, production and vocals) to revive The New Riders of the Purple Sage. Enlisting a bass and keyboard player the band toured and was well received. In the spring of 2009, New Riders of the Purple Sage released Where I Come From a twelve track CD that features seven songs co-written by Dead lyricist Robert Hunter. The album captures the classic Rider's vibe with a contemporary vision. The playing and production on the CD is peppy and precise with a range of melody and moods. The title track that opens the CD is edgy and engaging with slick slide work from Mr. Cage and twangy up-tempo jams. "Big Six" is a county flavored foray with solid guitar grooves and righteous rhythms. "Barracuda Moon" is pointed political prose with cutting chord structures, probing percussion and a murky melody. It is followed by "Higher" a hopeful tune that looks at things that makes the writer and perhaps the listener happy. Other highlights include their tuneful interpretation of the traditional "Minglewood Blues" and "Blues Barrel", which has a funky feel within a blues format. The New Riders of the Purple Sage are back with a fine country rock album that melds their past and present persuasions. (Review by Laura Turner Lynch)
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* From the www.kweevak.com
Music News Service - log on today to check out our music community, radio show, CD reviews and music industry news. If you are a band or solo artist with a CD out join our site today for out of this world music promotion. More CD Reviews in our archive at - http://www.kweevak.com/files-features/cd-reviews-vault-01.php